[downloadable pdf's]

These are my articles/essays published in journals, books, etc. Those published before 2006 are generally on Deleuze and art, those published up to 2010 are either further work on Deleuze and specifically contemporary art or on the production of subjectivity. More recent writings are on Fictioning and/or Myth-Work.

Avatars, Egregores and the Writing of the Self, pp. 229-241, Journal of Writing in Creative Practice, vol. 16, no. 2 (2023). ISSN 1753-5190

Fictioning a Pilgrimage (or Fieldwork on the Fiction of the Self), pp. 405-23, Fieldwork for Future Ecologies, eds. Bridget Crone, Sam Nightingale and Polly Stanton, Eindhoven: Onomatopee, 2022. ISBN 9789493148918

Science Fiction Devices (with David Burrows), pp. 39-52, New Perspectives on Academic Writing: The Thing That Wouldn't Die, ed. Bernd Herzogenrath, London: Bloomsbury, 2022. ISBN 9781350231535

On Tabletop Roleplaying Games and Fictioning, n.p., Vector (2022).

Fictioning Five Heads (on the Art—Anthropology Hybrid), pp. 141-7, Five Heads (Tavan Tolgoi): Art, Anthropology and Mongol Futurism, ed. Hermione Spriggs, Berlin: Steernberg Pres, 2018. ISBN 978-3-956794-29-2

Fictioning the Landscape, pp. 53-65, Journal of Aesthetics and Phenomenology, vol. 5, no. 1 (2018).

Myth-Science as Residual Culture and Magical Thinking, Postmedieval: A Journal of Medieval Cultural Studies, vol. 9, no. 4 (2018).

Mythopoesis or Fiction as Mode of Existence: Three Case Studies from Contemporary, pp. 292-311, Visual Culture in Britain, vol. 18, no. 2 (2017). ISSN 1471-4787

Mythopoesis, Scenes and Performance Fictions: Two Case Studies (Crass and Thee Temple ov Psychick Youth), Parasol: The Journal of the Centre for Experimental Ontology, 2017, no. 2 (2017).

Robert Smithson and Ruins in Reverse, pp. 60-3, Take On Art Magazine, vo. 3, no. 2 (2017).

From Financial Fictions to Mythotechnesis, pp. 318-46, Futures and Fictions, eds. Ayesha Hameed, Henriette Gunkel and Simon O'Sullivan, London: Repeater, 2017. ISBN 9781910924631

Non-Philosophy and Fiction as Method, pp. 273-318, Fiction as Method, eds. Jon K. Shaw and Theo Reeves-Evisson, Berlin: Sternberg, 2017. ISBN 978-3-95679-364-6

From Science Fiction to Science Fictioning: SF's Traction on the Real, pp. 74-84, Foundation: The International Review Of Science Fiction, no. 128 (2017). ISSN: 0306-4964258

Accelerationism, Hyperstition and Myth-Science, pp. 11-44, Cyclops: Journal of Contemporary Theory, Theory of Relgion and Experimental Theory, no. 2 (2017). ISSN 2398-2705

Memories of a Deleuzian: To Think is Always to Follow the Witches Flight, A Thousand Plateaus and Philosophy, eds. Henry Somers-Hall, Jeff Bell and James Williams, Edinburgh: Edinburgh University Press, 2017. ISBN 9780748697281

The Finite-Infinite Relation: A Conversation with Simon O'Sullivan, pp. 209-21, The Kantian Catastrophe: Conversations on Finitude and the Limits of Philosophy, ed. Anthony Morgan, Newcastle: Bigg Books, 2017. ISBN 97819998413

Accelerationism, Prometheanism & Mythotechnesis, pp. 171-89, Aesthetics After Finitude, eds. Baylee Brits, Prudence Gibson and Amy Ireland, Melbourne:, 2016. ISBN 9780980819793

Myth-Science and the Fictioning of Reality, Paragrana, vol. 25, no. 2, pp. 80-93, December 2016. ISSN 0938-0116

On the Diagram (and a Practice of Diagrammatics), pp. 13-25, Situational Diagram, eds. Karin Schneider and Begum Yasar, New York: Dominique Lévy, 2016. ISBN 978-1-944379-09-4

Deleuze Against Control: from Fictioning to Myth-Science, PP, 205-20, Theory Culture Society, vol. 33, no. 7-8, ISSN 02632764

The Missing Subject of Accelerationism, Mute, (online journal) (available at:, September 2015.

Art Practice as Fictioning (or, myth-science), diakron, No. 1, online journal (, June 2014.

S/Z or Art as Non-Schizoanalysis (with David Burrows), pp. 253-78, Deleuze and the Schizoanalysis of Visual Art, eds. Ian Buchanan and Lorna Collins, London: Bloomsbury, 2014. ISBN 9781472533463

A Life Between the Finite and Infinite: Remarks on Deleuze, Badiou and Western Buddhism, pp. 256-79, Deleuze Studies, vol. 8, no. 2, May 2014. ISSN 1750-2241

A Diagram of the Finite-Infinite Relation: Towards a Bergsonian Production of Subjectivity, pp. 165-86, Bergson and the Art of Immanence, eds. John Mullarkey and Charlotte De Mille, Edinburgh: Edinburgh University Press, 2013. ISBN 978-0-7486-7022-2

A Portrait of the Philosopher as an Old Man (review essay of the film interview 'Gilles Deleuze from A to Z'), pp. 375-80, Philosophy of Photography, vol. 3, no. 2, 2012. ISSN 2040 3682

Lacan's Ethics and Foucault's Care of the Self: Two Diagrams of the Production of Subjectivity (and of the Subject's Relation to Truth), pp. 51-73, Parrhesia, no. 10, December 2010. ISSN 1834-3287

Guattari's Aesthetic Paradigm: From the Folding of the Finite/Infinite Relation to Schizoanalytic Metamodelisation, pp. 256-86, Deleuze Studies, vol. 4, no. 2, July 2010, ISSN 1750-2241.

The Chymical Wedding: Performance Art as Masochistic Practice (an Account, the Contracts and Further Reflections) (with David Burrows), pp. 139-48, Angelaki, special issue on Masochism and the Philosophical Muse, vol. 15, no. 1, April 2010. ISSN 469-2899.

From Aesthetics to the Abstract Machine: Deleuze, Guattari, and Contemporary Art Practice, pp. 189-207, Deleuze and Contemporary Art, eds. Simon O'Sullivan and Stephen Zepke, Edinburgh: Edinburgh University Press, 2010. ISBN 978-0-7486-3837-6.

From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice, pp. 247-5, Deleuze Studies, vol. 3, no. 2, December 2009, ISSN 1750-2241.

The Strange Temporality of the Subject: Badiou and Deleuze Between the Finite and the Infinite, pp. 155-171, Subjectivity, vol. 27, July 2009, ISSN 1755-6341.

The Production of the New and the Care of the Self, pp. 91-103, Deleuze, Guattari and the Production of the New, ed. Simon O'Sullivan and Stephen Zepke, London: Continum, 2008. ISBN 0826499538

One Day in the Life of a City (July 21, 2006) (with John Lynch), pp. 28-37, Parallax, Vol. 13, no. 1 Incohate Cartographies, Jan 2007. ISSN 1353--4645

Pragmatics for the Production of Subjectivity: Time for Probe-heads, pp. 311-22, Journal for Cultural Research, vol. 10, Issue 4, September 2006. ISSN 1479-7585

Contours and Case Studies for a Dissenting Subjectivity (or, How to Live Creatively in a Fearful World) (with Ola Stahl), pp. 147-56, Angelaki, special issue on Creativity, May 2006. ISBN 978-0-415-42376-2

Minor Literature: Case Study, the Red Army Faction, White Collar, pp. 27-31, no. 4, summer 2006.

Notes Towards a Minor Art Practice, Drain: Journal of Contemporary Art and Culture, Issue on 'Syncretism', 05, online journal (, October 2005.

From Possible Worlds to Future Folds (Following Deleuze): Richter's Abstracts, Situationist Cities, and the Baroque in Art, The Journal of the British Society of Phenomenology, pp. 311-29, vol. 36, no. 3, October 2005. ISSN 0007-1773

Various entries in The Deleuze Dictionary, pp. 102-4, 104-6 and 270-2, Edinburgh: Edinburgh University Press, June 2005. ISBN 0-7486-1899-6

From Geophilosophy to Geoaesthetics: The Virtual and The Plane of Immanence vs. Mirror Travel and The Spiral Jetty, Pli: Warwick Journal of Philosophy, pp. 27-55, 16, Special Issue on Deleuze and Aesthetics, May 2005. ISBN 1-897646-12-7

Friendship as Community: From Ethics to Politics, Takkekortet: The Written Acknowledgement, pp. 20-26, Arhus (Denmark): Rum46, 2004. ISBN 87-989795-0-7

Cultural Studies as Rhizome; Rhizomes in Cultural Studies, Cultural Studies and Interdisciplinarity, Amsterdam, pp. 81-95, Rodopi, 2002. ISBN 0-340-64548-2

Writing on Art (Case Study: the Buddhist Puja), Parallax, pp. 115-21, 20 Immanent Trajectories, December 2001. ISSN 1353-4645

The Aesthetics of Affect, Angelaki: Journal of the Theoretical Humanities, pp. 125-36, 6, General issue, December 2001. ISBN 0415-27111-8

In Violence: Three Case Studies Against the Stratum, Parallax, pp. 104-9, 19 In Violence, June 2000. ISBN 0-7484-0970X